University of the West of England
MODULE SPECIFICATION
(Revised November 2002)
Code: UAMPH4-40-M Title: Applied Scenic Art Version: 2
Level: M UWE credit rating: 40 ECTS credit rating: 20
Module type: Project
Owning Faculty: FCA/ BOVTS Field: Stage Management
Valid from: February 2008 Discontinued from:
Contributes towards: Postgraduate Diploma in Scenic Art
Pre-requisites: none
Co-requisites: none
Excluded combinations: none
Learning outcomes:
On satisfactory completion of this module students will be able to:
• produce, working as part of a team, a theatre set completed to a high standard by the given deadline, and complete the painting of any other piece of scenery or props as required.
• produce samples of the set for the approval of the designer and to question him/her effectively to achieve a successful end result.
• support the team leader, share responsibilities as required, work effectively with others as a member of a group and meet obligations to the team leader and the designer.
• work under the pressure of long hours and deadlines with attentiveness and self-motivation to consistently high standards.
• take responsibility for the cleanliness, tidiness and general good management of the working space and communal tools as well as one own.
• demonstrate their working methods and organisational skills by keeping a diary/log-book/record keeping document;
• meet the designer’s requirements and be sure that the style matches what is required by the designer rather than the painter’s own individual style;
• learn to extract the information from the designer and use this brief together with painted reference (or painting reference) and the model to produce the best possible end result under the guidance of the Head of Scenic Art; learn this information by using sample process and regular meetings with designer and the Head of Department.
• attend the model presentation and discuss with the designer the painting style and effect desired. During the production meeting they will, together with the production manager and the other production staff, work out the timetable, budget and technicalities of the project.
Syllabus outline:
Supported by the Head of Scenic Art and the production staff, the students will produce the painting of the theatre school’s public productions. This involves working for three or four weeks closely with the head painter, the designer, the carpenters, the props makers and the production manager for the realisation, within the deadlines, of the project.
As the work proceeds they will be expected to make any modifications suggested by the designer. They will be careful not to make decisions in lieu of the designer without his/her previous knowledge and agreement.
The student will be expected to see the set finished and completed to the satisfaction of the designer. The student will learn about paint calls during the production week and during the run of the show for touch up of the set to keep it up to standards.
Teaching and learning methods:
The syllabus for this module will be delivered through seminars and practical workshops in specialist painting effects (ex. wood graining, marbling, texturing etc.) and through master classes with professionals painters in theatre, film and television and other areas of the visual process like lighting design.
The completion of two public shows will allow the student to practice and refine skills and techniques acquired in the previous module and experience the production process at first hand.
The whole process is closely monitored and guided by the Head of Scenic Art and the production staff. At all stages the student is encouraged and supported by the tutor enabling him/her to develop skills, confidence and working practice.
Regular meeting with the designer and the production department staff ensure that the student has enough information and guidance throughout the production.
Indicative sources:
R. V. Cole Perspective for Artists (Dover 1976)
R Mayer The Artist’s Handbook of Materials and Techniques (Faber and Faber 1991)
J. Lidzey ,J. Mirza, The Art of Colour Mixing Using Watercolours, Acrylics and Oils
N. Harris, J. Galton (A & C Black 2002)
I Sidaway The Colour Mixing Bible (David and Charles. 2002)
Assessment
Weighting between components A and B (standard modules only) A: 100% B: N/A
ATTEMPT 1
Description of each element
This is a Project module with one component of assessment. The component has two elements.
In assessing Component A there will be meetings between the student and the relevant tutor at formal assessment points over the course of the module to discuss and record the student's progress judged against the learning outcomes for this module. The result of these assessment points (of which there are normally not more than three) are cumulative in nature and give rise to a final mark/grade at the end of the module.
First Assessment Opportunity
Component A
Description of each element Element weighting
1 – Assessment of Process of Painting 50%
§ as demonstrated by the student during advanced specialist workshops and classes on scenic art techniques
§ as expressed by Head of Course in assessment statement in relation to the student’s progress at an advanced level of specialised techniques
2 – Assessment of Completed Scenic Work 50%
§ as demonstrated by the standard achieved on the finished set with reference to the requirements of the design brief to the full satisfaction of the designer.
§ as demonstrated by the quality of the student’s response in relation to their understanding how to achieve the desired visual effect.
§ As demonstrated by their ability to work within the financial and other resource constraints of the production.
Assessment strategy
Both formative and summative, will include:
§ feedback to the Head of Scenic Art, Designer and visiting specialist tutors
§ group feedback with other scenic art students, Head of Scenic Art and visiting specialist tutors
§ individual student self-assessment
Finally a written assessment from HOD is discussed in conjunction with the student’s written self-assessment and a student action plan is formulated.
Second Assessment Opportunity (further attendance at taught classes is required)
AS FOR FIRST ASSESSMENT OPPORTUNITY
SECOND (OR SUBSEQUENT) ATTEMPT: Attendance at taught classes is required.
AS FOR FIRST ASSESSMENT OPPORTUNITY
Specification confirmed by …………………………………………………Date ……………………………
(Associate Dean/Programme Director)